A Place of My Own: The Architecture of Daydreams, by Michael Pollan
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A Place of My Own: The Architecture of Daydreams, by Michael Pollan
Best Ebook A Place of My Own: The Architecture of Daydreams, by Michael Pollan
Michael Pollan’s unmatched ability to draw lines of connection between our everyday experiences―whether eating, gardening, or building―and the natural world has been the basis for the popular success of his many works of nonfiction, including the genre-defining bestsellers, The Botany of Desire, The Omnivore’s Dilemma, and In Defense of Food. With this updated edition of his earlier book A Place of My Own, listeners can revisit the inspired, intelligent, and often hilarious story of Pollan’s realization of a room of his own―a small, wooden hut, his “shelter for daydreams”―built with his admittedly unhandy hands. Inspired by both Thoreau and Mr. Blandings, A Place of My Own not only works to convey the history and meaning of all human building, it also marks the connections between our bodies, our minds, and the natural world.
“[A]n inspired meditation on the complex relationship between space, the human body, and the human spirit.” ―Francine du Plessix Gray
A Place of My Own: The Architecture of Daydreams, by Michael Pollan - Amazon Sales Rank: #1991794 in Books
- Brand: Pollan, Michael
- Published on: 2015-03-10
- Formats: Audiobook, MP3 Audio, Unabridged
- Original language: English
- Number of items: 1
- Dimensions: 6.75" h x .50" w x 5.25" l,
- Running time: 10 Hours
- Binding: MP3 CD
A Place of My Own: The Architecture of Daydreams, by Michael Pollan Amazon.com Review Michael Pollan's A Place of My Own might be suspiciously viewed by some readers as a text begging for interpretation. What is it that causes this man at midlife to attempt to put up a structure, an actual wood and concrete dwelling, where he can work on his own craft away from his domestic life? Arguably, Pollan's intentions are more transparent than a too clever postmodern audience can easily appreciate. The author of this fine, well-crafted book offers an explanation that seems honest and understandable: "Whenever I heard myself described as an 'information service worker' or a 'symbolic analyst,' I wanted to reach for a hammer, or a hoe, and with it make something less virtual than a sentence."
In Pollan's bestselling book Second Nature: A Gardener's Education, he illustrated his facility with both hoe and pen. In A Place of My Own he hefts the hammer and again records with great intelligence how thoroughly thought and reflection can be woven into our common lives and the patterns of a day's work. His book's subtitle, "An Education of an Amateur Builder," captures much of what this book contains: the lessons learned by a diligent student of architecture, design, and construction. The writing contains no gaps or unsightly seams, and it's full of clues to readers who share a similar desire to build something tangible in a world that prizes the evanescent.
From Library Journal Wanting to have a place of his own where he could think and write, Pollan decided to erect a small structure in the woods behind his house. Fancying himself a modern-day Thoreau, he wanted to build his "dream hut" with his own hands, even though he had no carpentry skills or experience. We learn very little about how to build a small structure; the majority of this book is devoted to Pollan's pretentious musings about a variety of architectural theories and about his interaction with the architect and carpenter who helped him (wasn't this supposed to be a simple structure?). Although it cost Pollan $125 per square foot and took him two and one-half years to build, ultimately it is the reader who works the hardest. Libraries serving those with a strong interest in architecture will want this title; other libraries should skip this book.?Jonathan Hershey, Akron-Summit Cty. P.L., OhioCopyright 1997 Reed Business Information, Inc.
From Booklist Author and former Harper's editor Pollan, a writer fast approaching 40 and fatherhood, spent two and a half years (Saturdays mostly) building a writing hut in the woods behind his Connecticut house. Its taking shape is a springboard for exploring architecture, construction, and the concept of home. Not so much a how-to as a how-and-why-it-happened, this account details quickly and clearly everything from ancient construction techniques to postmodern architectural theory to the on-site politics among Pollan and his two guides ("Virgils," he calls them): Joey, the surly local handyman, and Charles, an old college friend and architect who occasionally gets zealous. Pollan's success, despite a confessed lack of skill or understanding, is heartening to others hoping to do something similar. His melding theory and practice, when, for instance, he considers roofs, foundations, windows, and walls as both objects and metaphors, makes this book particularly interesting to those content to study architecture from afar--which translates into a rather large group of readers. Kevin Grandfield
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Most helpful customer reviews
115 of 116 people found the following review helpful. looking at building from all angles By RamblingReviewer I'm so glad this book is once again readily available; I keep wanting to give it to friends and it had become hard to find. Pollan undertook the project of building himself a modest shelter, and used that as a jumping-off place to consider--always entertainingly--a dazzling array of related subjects. The book is a joy to read, a disquisition on everything from design considerations (site, view, feel), to descriptions of the nitty-gritty of basic shelter construction (why you don't see windows that swing inward, the right way to hammer a nail), to reflections about historical, cultural and technological influences on the evolution of structures, the divergence between design and construction that produced the profession of architect and the craft of builder and the tension between the two. Pollan's graceful writing is informed by his inquiring intellect and his wide-ranging fund of knowledge. There is something thought-provoking on nearly every page.
114 of 117 people found the following review helpful. Not a how to book. Think "architectural philosophy". By Jay Pique First, I enjoyed reading this book. I'm a carpenter turned cabinetmaker that aspires to build spec homes per my own designs, from bottom to top. Given my existing interest in the field, I most enjoyed his discussion of the various architectural movements and the philosophies thereof. It provides a broad overview of different theories of design and how they result in pleasing (or not so pleasing) structures.However, he definitely goes overboard - especially with the obnoxious use of esoteric vocabulary. Synecdoche? I'm pretty well read and I don't think I've ever even seen that word written before. It goes on and on like that, and it's unfortunate because it really distracts you from what's otherwise a pretty interesting read. He also seems to slip into a bit of stream of consciousness about the theory behind some detail of construction or another (like muntins). Be prepared.It was also tiring to read about the conflict between the architect and the builder. If it was indeed as tense as he claims, then he's probably in large part to blame, getting wrapped up in the drama (which I believe he does).Overall I gave it a 3, because it definitely provided a lot of good information. But I was dragging by the end, and it really felt like once he hit his quota of pages he just stopped. He takes you all the way through the process of construction, but doesn't tell you how it ends. How's the building feel? What worked and what didn't? Is it great in the spring with the windows open, or is it too buggy? Freezing in the winter? By dropping 30 pages of theory and putting in an equal amount of reality it would have made this book a real winner.
79 of 83 people found the following review helpful. An intimate tour of a writer's most sacred place: the house of their dreams By Michael Tiemann I was astonished to see that there are *any* less than stellar reviews for this book, so let me speak in defense of Michael Pollan's sophomore effort: You Must Read This Book!For those who loved The Omnivore's Dilemma, this book describes the process by which the cradle of that great work was itself brought to life. As a person married to an author, and as a person who himself writes more than the average American, Pollan's process of articulating his own dreams (and fears) for his own writing house literally brought tears to my eyes, so profound his subject and so universal its truths. It is a brilliant synthesis of abstract and concrete--the construction of a physical space *so that* greater mental heights can be imagined and obtained.For those who celebrate the way that Pollan has helped us restore some measure of our own humanity by helping us reconnect with what is true about food (and by learning how to avoid what is false about edible food-like substances), let only those who are truly roofless cast the first stone against this book! For the rest of us, whether we own, rent, or live more transiently in some sheltering construct, this book teaches the truly multi-dimensional ways that dwellings come to be, and how the manifold relationships that condense into built forms continue to express those relationships, even to those who are not yet born.For those who love Pollan's ways with words, this book is full of fridge-worthy sentences and page-worthy paragraphs.For those who enjoyed meeting Joel Salatin in "Part III: Grass" of the Omnivore's Dilemma, in this book we meet the prototype from the building trade, Joe Benney. Indeed, I'd be willing to bet that without Joe's training in the manual arts, Michael would never have made it past the first handshake with Mr. Salatin of Polyface farms.For those who complain "this book is nothing new", fooey. Yes it was first published more than a decade ago, but as a book I had not read, it was new to me. The new paperback format is far more friendly to me and my traveling lifestyle. And the new preface provides an opportunity for Pollan to complete some factual and cultural arcs that were anticipated by the foundations he laid in 1997. (In that way, every finished building is really the start of a new, unimagined next building.)So...I loved it, and I suspect that if you have ever dreamed about building a place for your own dreams, you will love it, too!
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